Cameruci feels that particular medium is dead. Whenever an official album is released, odds are good that it won’t be on CD. Just like everything else that we do with Floss, it has to be curated by us to have that good flow to it. He adds, “The last thing we want is for to be a hodgepodge of singles that we just threw haphazardly together. “I love sitting down and listening to someone, even if it’s just 30 or 40 minutes of whatever: this is how they wanted it to be heard, this is the sequence they wanted it to be heard.” “I just love listening to albums in general, like, not even Flosstradamus-related, just as a fan of music,” Young says. Still, the prospect of having a full-length record has been making its way to the front of his mind. “It’s kind of cool to get back to that more instantaneous, more spontaneous and collaborative production style as opposed to Curt making a beat and sending it to me, or me making a beat and sending it to him.”īoth approaches have resulted in a number of singles released online a la carte, which Young says gives them a lot of creative freedom. It was all four of us sitting in the same room just collaborating in real time,” Young says. “We just finished a new tune with GTA on the bus. Being on the road 200-250 days a year, however, provides plenty of face time, and they’ve recently been using those opportunities for more in-person collaborations. “We’ve definitely made it a big point to try to do something a little bit different and a little bit more three-dimensional,” Young says.Īs for making the music, Young still lives in Chicago, but with Cameruci now calling New York City home, the two rely on the Internet to work together. ![]() Rounding out their stage presence is an emphasis on physical props as opposed to mere LED screens, which Young feels have become ubiquitous to a fault in the electronic dance music world. We were like, ‘We want to jump around and actually get into the music without the risk of anything skipping and messing up.’” “We felt like that took away a little bit from the connection when you’re actually sitting there, like, mixing out. “We wanted to make the performance more about actually getting energized onstage than to be looking like you were just DJing,” Young says. That preference improves both the quality and complexity of the music (Cameruci likens it to having “infinite turntables”) and the duo’s interaction with the audience. Key to that reputation is the duo’s use of the all-digital music software Ableton as opposed to physical media-based CDJs. 19, at The Orange Peel, the latest in a legacy of live-wire shows. “We take Southern hip-hop music and dance music and fuse them together.”įlosstradamus makes its Asheville debut on Friday, Dec. “We’re still doing what we were doing back there, just on a grander scale,” Cameruci says. In the subsequent decade, the two have learned to produce and, with the help of intricately planned lighting and set design, expanded their shows to fit massive festival crowds at Coachella and Lollapalooza, but in their evolution they’ve been true to the mentality of their humble roots. Armed with four turntables and two mixers, they packed out a tiny Grateful Dead bar in the Boystown neighborhood of Chicago with genre-blending, mash-up heavy sets. Cameruci issued "Back Again" with Mayhem and Waka Flocka Flame early the next year, following with the Cara Salimando-featuring "How You Gon' Do That" in the summer of 2017.Back in the day - 2005, to be precise - Josh “J2K” Young and Curt “Autobot” Cameruci began DJing parties under the name Flosstradamus. At the end of 2016, Young parted ways with Cameruci, who continued as a solo act performing under the Flosstradamus moniker. Hdynation Radio followed soon after, featuring appearances by GTA, Lil Jon, Waka Flocka Flame, and others. The 2013 EP, Total Recall, was released through the Mad Decent imprint Jeffree's, and in 2015, they joined the Ultra label with the EP Soundclash. ![]() In 2011 the project became an official recording act with the release of the Jubilation EP on Fool's Gold. Their monthly party continued to be a heavy draw during the mid-2000s, with people from all over the nation traveling to Chicago to experience their performances. Word of mouth about their eclectic mashup of electro, house, minimal techno, and sleazy R&B quickly spread, and their parties would often sell out at a moment's notice. A project known for its heavy beats and being at the forefront of the trap dance genre, Flosstradamus was formed in 2007 by Curt Cameruci (aka Autobot) and Josh Young (aka J2K) as a series of DJ parties in their hometown of Chicago.
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